The Playwrights' Center

The Playwrights' Center
Type Non-Profit
Industry Theatre
Founded 1971
Headquarters Minneapolis, Minnesota
Employees 15 (2009)
Website pwcenter.org

The Playwrights' Center is a theater organization established in 1971 in Minneapolis, Minnesota with the aim of furthering the careers of both new and established individuals in the field. Five playwrights formed the organization in the hopes of providing/obtaining support for new play development. The work of playwrights associated with the organization has won every major award in the field, including two Pulitzers and a Tony. The work of the Center is directed by a Board of Directors made up of eighteen members. Day-to-day operations are run by Dr. Polly Carl (who became Producing Artistic Director in 2002), and Dr. Craig Harris (who became Managing Director in 2007).

Contents

Recent history

Artistic Director Move

The Producing Artistic Director of the Playwrights’ Center, Dr. Polly Carl, will be joining the staff of the Chicago’s Steppenwolf Theatre in September 2009.[1][2][3] The PWC has retained Connecticut-based Management Consultants for the Arts, Inc. to assist the Board of Directors in a national search for a replacement.

Trailers

The PWC has recently begun producing video “trailers” of new plays.[4][5] The trailers are available primarily on the Center’s web site. The project is funded by the new “TCG/Met Life Aha! ‘Think It / Do It’”[6] grant program, and a recent $1 million grant from the Andrew W. Mellon Foundation. Part of the project was the installation of a lighting upgrade, microphones, digital mixing equipment and software, increased server speed and space.

Website

The Playwrights’ Center launched a new website in September 2008. For the first time, the website utilizes flash multimedia and increased capacity for video quality. It includes news and information about the organization and its work, as well as a private area for current members. The members-only area includes advice, job posting boards, and opportunities for playwrights to share their work directly with each other.[7]

2008-09 Season

Programs

The Playwrights’ Center’s Mission Statement is: “The Playwrights’ Center champions playwrights and plays to build upon a living theater that demands new and innovative works.”

The Ruth Easton Lab

The Ruth Easton Lab brings the Playwrights’ Center’s Core Writers and playwriting fellows to Minneapolis for 10- to 20-hour play development workshops with professional actors and prominent directors, dramaturgs, and designers from across the country. At the playwright’s discretion, the workshop may or may not culminate in a public reading. The PWC develops about 50 plays in the Ruth Easton Lab each year. Lab writers are also promoted through the Center’s website and are provided opportunities by transporting literary managers (and other representatives of prominent organizations) to Minneapolis to see their new work.

Core Writers

The Playwrights’ Center’s Core Writers are a group of 25-30 leading playwrights from across the country. Approximately 7 playwrights per year are given “Core Writer” status. Core writers are then given three years of access to the PWC’s Ruth Easton Lab.

Core Apprentices

Five student playwrights are selected each year to be “Core Apprentices”. These writers come from partnerships with the Kennedy Center American College Theater Festival and the Alliance Theater in Atlanta, GA, in addition to applications from New Plays on Campus schools. Each Core Apprentice receives a fully funded workshop that includes travel, housing and pay for actors, directors, dramaturgs and designers. Student writers are paired with a Core Writer as a mentor for the full year of their apprenticeship.

Fellowships

The Playwrights’ Center offers year-long fellowships funded by the Jerome and McKnight foundations. More than $200,000 in annual support is provided to playwrights and actors through the Playwrights’ Center.

Jerome Fellowships

Playwright Fellowships: PWC awards $10,000 Jerome fellowships to five emerging American playwrights per year.

Many Voices Fellowships: PWC awards (2)-$1250 ‘Beginning’ Playwright fellowships and (3)-$4500 ‘Emerging’ fellowships for writers of color. The Many Voices program also includes a structured curriculum of playwriting instruction and dramaturgical support.

McKnight Fellowships

Theater Artist Fellowships: Three professional artists whose skill and talent contribute to theatrical productions are awarded $25,000 grants to significantly advance recipients’ art and careers.

National Residency and Commission: One playwright selected annually from a national pool to develop a new work. S/he receives A $12,500 commission, housing during the agreed upon residency, and $5,000 to a director of the playwrights’ choice to participate in both the development and production of the play.

The McKnight Advancement Grants recognize two Minnesota-based playwrights whose work demonstrates exceptional artistic merit and potential. Two grants of $25,000 each are awarded each year. The grants are intended to advance recipients' art and careers, and additional funds of $2,000 can be used to support a wide variety of expenses, including but not limited to artistic costs of residency at a theater or arts organization, travel, study, production, or presentation.

Membership

Private Membership

Private membership to the organization is offered at $50 per year, per person. Membership gives individuals access to services such as: (private or public) roundtable readings, one-on-one dramaturgy consultations, and access to a members-only website. Membership is nationwide—the majority of members reside in states other than Minnesota.

New Plays on Campus

Institutional membership is $275 for an educational institution to have regular access to new plays, plus the aforementioned benefits of private membership.

Other programs and projects

Classes

The Playwrights' Center offers various classes taught by theatre professionals. Playwrights' Center members receive discounts on tuition.

Workhaus Collective

The Playwrights’ Center’s company in residence, who produce fully staged works at the Playwright Center’s Waring Jones Theatre. Workhaus is an independent collaboration of PWC writers, and is not managed by the Playwrights’ Center.

Recent productions

Japan exchange

The U.S.-Japan Contemporary Plays and Playwrights Exchange Project (defunct)
An international project organized by the Playwrights' Center and the U.S./Japan Cultural Trade Network, Inc., in association with the Saison Foundation, with funding from the Andrew W. Mellon Foundation, the Saison Foundation, and the Japan Foundation through the Performing Arts JAPAN program. The purpose is to annually exchange a new play between Japan and America by providing a space in which a new play can be workshopped and read, in addition to its playwright being transported and housed. As of 2009, the exchange/translation part of this project is over, but work is in progress to develop a book bringing together the plays that were translated in previous seasons.

PlayLabs

(on hiatus[12]) PlayLabs was an annual showcase of new plays that used to occur during a two-week span in July. As of 2009, it is currently being substituted by a regular (September-May) season in the Waring Jones theater, which is designed to better showcase the new play development occurring year-round.

Space, staff and funding

The Playwrights’ Center is housed in a Victorian era church on the corner of 23rd and Franklin in Minneapolis, MN. In 2001, they concluded a $1.1 million construction project. Included in the restoration was the Waring Jones theater, which seats 120.[13] The Playwrights' Center ’s annual budget is approximately $1.4 million, and receive financial support from: the Andrew W. Mellon Foundation[14][15], McKnight Foundation, Jerome Foundation, Ruth Easton Fund of the Edelstein Family Foundation, National Endowment for the Arts, Minnesota State Arts Board, and the Bush Foundation. The Playwrights’ Center has a staff of ten full-time, and five part-time employees. The work of Center playwrights are supported by a Board of Directors consisting of eighteen members, and a national Advisory Board of theater professionals.

Prominent affiliated members

These prominent artists are, or have been, affiliated with the Playwrights’ Center.[16]

References

  1. ^ "Rohan Preston, “Playwrights' Center head moving to Chicago”, Star Tribune (May 20, 2009). Accessed July 14, 2009". http://www.startribune.com/entertainment/onstage/45437582.html?elr=KArksD:aDyaEP:kD:aUg:oaEQDUiD3aPc:_Yyc:aULPQL7PQLanchO7DiUr. 
  2. ^ "Scotty Zacher, “Polly Carl – Steppenwolf’s first DAD (Director of Artistic Development) ”, Chicago Theatre Blog (May 28, 2009). Accessed July 14, 2009". http://chicagotheaterblog.com/2009/05/28/polly-carl-steppenwolf/. 
  3. ^ "“Polly Carl of the Playwrights Center on her way to Steppenwolf”, MN Playlist (May 20, 2009). Accessed July 14, 2009". http://www.minnesotaplaylist.com/news/2009/05/20/polly-carl-playwrights-center-her-way-steppenwolf. 
  4. ^ "Kerr, Euan. “Playwrights Center tries trailers for plays”, Minnesota Public Radio Online (May 2009). Retrieved July 16, 2009". http://minnesota.publicradio.org/collections/special/columns/movie_natters/archive/2009/05/playwrights_cen.shtml. 
  5. ^ "Alan. “The Playwrights Center previews plays on video before they have productions”, MN Playlist (May 2009). Retrieved July 16, 2009". http://www.minnesotaplaylist.com/news/2009/05/15/playwrights-center-previews-plays-video-they-have-productions. 
  6. ^ "“Meet The Playwrights Center” TCG Blog (Apr 16, 2009). Retrieved July 16, 2009". http://aha.tcg.org/2009/04/meet-playwrights-center_16.html. 
  7. ^ "“A Must-See from the Playwrights' Center, MN”, Arena Stage Blog (Feb 2009). Retrieved July 16th, 2009". http://npdp.arenastage.org/2009/02/a-mustsee-from-the-playwrights-center-mn.html. 
  8. ^ "Tantisunthorn, Rhena. “Playwrights' Center Reading: The Three Christs of Yspilanti”, City Pages (Feb 2009). Retrieved July 16, 2009". http://www.citypages.com/2009-02-25/calendar/playwrights-center-reading-the-three-christs-of-yspilanti/. 
  9. ^ "Combs, Marianne. “Playwright tries to focus in a distracted world”, Minnesota Public Radio Online (Jan 2009). Retrieved July 16, 2009.". http://minnesota.publicradio.org/display/web/2009/01/27/tryingtofocusinadistractedworld/. 
  10. ^ "Pratt, Anna. “The bulb before the flower”, The Bridge (Jan 2009)". http://www.bridgelandnews.org/7638. 
  11. ^ "Combs, Marianne.“New play explores the intersection of online, news and media”, Minnesota Public Radio Online (Jun 2008)". http://minnesota.publicradio.org/display/web/2008/06/13/sadgrrl13/. 
  12. ^ "“The Playwrights' Center takes a strategic hiatus from PlayLabs as year-round activity grows", The Playwrights’ Center (2008). Retrieved July 28th, 2009". http://www.pwcenter.org/news.php?n=55. 
  13. ^ "“HGA - Playwrights' Center”, HGA Online. Retrieved July 16, 2009.". http://www.hga.com/experience/playwrights.html. 
  14. ^ "Royce, Graydon. “Playwrights' Center is getting $1 million from foundation”, Star Tribune (Sep 2008). Retrieved July 16, 2009". http://www.startribune.com/entertainment/onstage/29961119.html. 
  15. ^ "Hetrick, Adam. “Mellon Foundation Awards Sundance, Lark, New Dramatists and Playwrights' Center 2008 Grants”, Playbill Online (Oct 2008). Retrieved July 16, 2009.". http://www.playbill.com/news/article/122555-Mellon_Foundation_Awards_Sundance_Lark_New_Dramatists_and_Playwrights'_Center_2008_Grants. 
  16. ^ The Playwrights' Center's website

External links